Josquin Des Prez. Miserere mei deus (Psalm 51), motet for 5 parts. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on. Miserere mei, Deus. composer. Josquin des Prez (c/). 5vv; probably composed for use during Holy Week in at the court of Ferrara. author of. Josquin: Miserere mei Deus. The Miserere, by Josquin des Prez, is a motet setting of Psalm 51 (Psalm 50 in the Septuagint numbering) for five.
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It is an extended prayer to the God against whom he believes he has sinned, based misdrere on Psalm 51, and unified by a boldface-type repetition of the phrase “Miserere mei, Deus” throughout the text.
Josquin’s Miserere and the Savonarolan Legacy. In addition, miseerere length of the motto theme is halved once it begins its ascent out of the bass, and has its length returned to normal for the final descent from E to A.
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The intervening verses display a variety of textures, often the paired duets so characteristic of Josquin’s mature writing. The site is also available imserere several languages.
Miserere mei Deus (Josquin Desprez)
Somewhat unusually, the statements of this ostinato theme are divided by varying numbers of rests: Miserere mei, Deus composer. During the s, the Duke of Ferrara, Ercole I d’Este, kept in close contact with Savonarola, who was also from Ferrara, and supported him in his efforts to reform the Roman Catholic Church. Miserere mei Deus – Sacred Motets. Savonarola’s impassioned meditation on sin and repentance, Infelix ego, composed in prison after his torture, and published in Ferrara in mid shortly after his death, was the probable model for Josquin’s setting.
Miserere mei Deus” to My Music. One may compare, for instance, the openings of the second and third parts miserers the motet: The deathbed meditation on Psalm 50 by the fiery preacher Hieronymus Savonarola historical inventor of the “Bonfire of the Vanities” achieved wide dissemination; among those strongly influenced by his work are Botticelli, Michelangelo, and Martin Luther.
Compositions by Josquin des Prez Renaissance music Motets.
The great Josquin Desprez betrayed knowledge of this meditation, writing for Duke Ercole I of Ferrarra another friend of Savonarola the first full-length polyphonic setting of this penitential Psalm. This entry is from Wikipediathe user-contributed encyclopedia.
The tenor sings mek same phrase of two pitches twenty-one times in total. After Savonarola’s execution, Ercole, then in his eighties, probably commissioned his newly hired composer, Josquin, to write him a musical testament, very likely for performance during Holy Week of Josquin des Prez Miserere.
While overall the composition is in the Phrygian modethe miesrere repetitions enforce tonal variety. Music from His Time. It may not have been reviewed by professional editors and is licensed under an Attribution-ShareAlike Creative Commons License. Even after Savonarola’s arrest, Duke Ercole attempted to have him freed, but his last letter to the church authorities in Florence, in Aprilwent unanswered.
It was one of the most famous settings niserere that psalm of the entire Renaissance, was hugely influential in subsequent settings of the Penitential Psalms, and was itself probably inspired by the recent suffering and execution of the reformer Girolamo Savonarola.
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Find out more about our use of this data. In keeping with Savonarola’s dislike of polyphony and musical display, the Miserere is written in a spare, austere style, much different from the contrapuntal complexity, virtuosity, and ornamentation of works such as the five-part motet Virgo salutiferiwhich was probably written around the same time.
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Miserere mei, Deus (Josquin) – from CDA – Hyperion Records – MP3 and Lossless downloads
The Miserere is one of Josquin’s two “motto” motets, motets in which repetitions of a phrase josquij the predominant structural feature the other is the five-voice Salve Regina of several desu before. Due to the extreme length of the setting it might seem inappropriate for the liturgy, but the focus on Holy Week at Ferrara was well known, and in any case there are numerous spaces in the liturgy for extended meditations of the most austere kind, which this motet certainly is.
The Renaissance in Music. Retrieved from ” https: The Miserereby Josquin des Prezis a motet setting of Psalm 51 Psalm 50 in the Septuagint numbering for five voices. All five voices usually join on the interpolated text “Miserere mei” when the ostinato enters.